- HD中(zhong)字
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我有毒(du)
- 主縯(yan)：Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra??
- 導(dao)縯(yan)：Daniel,de,la,Vega,Pablo,Parés??
- 分類(lèi)(lei)： 恐(kong)怖(bu)片
- 地(di)區(qu)：其牠(ta)
- 年(nian)份：2018
- 更新(xin)：2024-02-23
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簡(jiǎn)(jian)介： Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
掃(sao)描二維碼手機(ji)在線(xiàn)(xian)播(bo)放
- 劇(ju)情(qing)介(jie)紹(shao)
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.永(yong)固(gu)影視網(wǎng)(wang)收集自(zi)其(qi)他網(wǎng)站(zhan)髮佈(bu)。)
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